Now you can grade one of the shots for the look you want and click “Paste showlook to all shots”. Dado showcases this tool in real-time and the Ai literally needs seconds to come up with a perfect matching image balance.

Using Colourlab Ai, you can fetch your clips directly from Adobe Premiere Pro, select them, and ask the neural network to analyze and balance them, providing a good IDR starting point for each clip. No idea what camera was used, the footage looks flat – all those common issues editors face. Let’s say you’re an editor who has a series of car chase shots under all possible exposures: some dark, some bright, some warm, and some cold. Image credit: Dado Valentic / Color Creative Week Easy balancing and transferring of looks in color grading with AIĪnother (maybe obvious, but still very impressive) feature of color grading with AI is to use the machine’s brain to balance all your shots in one click. Setting “Log Generic” profile in Colourlab Ai. In situations when you can’t find out how the video was shot or where the original footage comes from (for example, an archive helicopter shot), you can mark it as a “generic log profile” and AI will do its best to analyze what log it is and will apply the right IDT (input device transform) for you. A deep-learning function will guess what camera the clips come from and translate them to a common color space for consistent grading. Imagine importing footage into a project that uses different file formats (for example. In an example of Colourlab Ai, he shows how artificial intelligence can assist you. But as Dado mentions in his live stream, it can still be a very manual process. If you work as a professional colorist or just have to deal with color grading regularly, you most certainly already use color management. It can save you time and allow you to go deeper into the creative process, and that’s what we want to focus on anyway, right? Automating color management Let’s take a closer look at the ones presented!įor those who are still skeptical about using artificial intelligence in their workflows, even calling it “creativity substitution”, we suggest that you think about these tools as assistants or helpful hands.

In fact, there are already working tools to maximize efficiency in color grading using AI technologies. As the main lecturer and CEO of Colourlab Ai Dado Valentic explains: on average, 40% of the time colorists spend doing tedious, repetitive tasks, could be saved by incorporating machines. Color Creative Week, the free virtual event organized by Colourlab Ai, is over, but it has left us with plenty of insight and useful material.

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